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I was raised in rural northwestern Connecticut and have lived most of my life here. The world outside my doors is rich with plants, animals, birds and insects and my life has been a luxury of engagement with these things. They feed my spirit and inform much of my work as an artist.

blue birds

Spring and summer when life and color return, are a joyful time!  Everything is fresh and new. Miracles are everywhere and the days are full of observation. The darker, colder months of fall and winter provide a time to use the sketches and photos from summer to create new work.

Nests, eggs and birds are an important part of your work but also your life.
How did you becom  a bird rehabilitator ?
       Songbirds have always delighted me. They are small and fragile but also remarkably strong and resilient. When my sister called one day  about an unfeathered baby bird she found on the the side of the road I told her I would take it and try to save it. I soon discovered a small network of local bird lovers all generous with any information they could share. It was hit or miss at times but the catbird, Peep, grew strong and created a permanent place in my heart.  Peep opened my eyes to the fragile interface of trust that can exist between humans and birds. The experience was so intensely fulfilling I longed to learn more and do it again.    Through a local nature center I learned that birds are protected by state and federal laws and I eventually qualified for the necessary permits from the CT DEP and the Federal Migratory Bird Permit Office.

Charming Little Home
ImageCharming Little Home
Charming Little HomeMost rehab takes place during the breeding season which is roughly May to August in Connecticut . For 20 years my spring and summer wake-up call arrived at first light with small peeping sounds from the covered basket near my bed and the day began with the first of many feedings.  Baby birds are fed constantly throughout the day. It is intense and demanding but with care these miraculous creatures will leap confidently into the air and fly three weeks after emerging from their eggs!  I am writing a book, Feathered Guests, about my experiences rehabilitating wild birds.


What is the best part of being an artist?  The best part of being an artist is the excuse to spend a long time looking at something I really love while I paint it.

What is the worst?  The worst part is the longing to depict how I feel about these things I paint. I don’t need my pictures to be worth a thousand words, I just want them to be worth a single beautifully turned phrase.

Charming Little Homenewest

What inspires you?   Inspiration can come from something in a dream, some visual juxtaposition of objects in nature or in my studio or even a written phrase that conjures an image. It is unpredictable but when it comes it brings an excitement that makes me start working it out in pencil in a sketchbook before it can slip away.

Do you usually stay with your original idea when working on a new piece or do you let the process guide you?   Because I work in egg tempera and silverpoint I have to work out the composition and transfer it to the ground before I begin painting. For this reason I stick very close to the original idea. Neither medium allows for much in the way of spontaneous changes.


Do you work on one piece at a time or several?  I am happiest when I have three pieces going at once. It is easy to become myopically focused on a single piece so putting one aside to work on another allows me to see more clearly.

yes one yes

I find nests and eggs inherently beautiful as well as meaningful symbolically.  A nest is a marvel of architecture and the use of specific materials by each bird species is fascinating. Last summer I tried to build a nest using grasses, roots and other materials but even with fingers and tweezers I was unable to come close to what a pair of songbirds can do with beaks and feet.

banjies studio

How have your close experiences caring for birds affected your artwork?   Until very recently every bird I painted is one I knew personally and, in most cases, raised and released. Juvenile birds are my favorite to paint. Their plumage is almost adult but they often have endearing bits of goofy fluff on top of their heads and they have an unguarded look in their eyes they lose quickly in the wild. When first released they continue to return to the rehabber for food throughout the day but as they adapt to the wild they become more guarded and finally wean themselves from their human ‘parents’.


Its interesting to me one of your favorite mediums to paint in is egg tempera. How did you get started using it and what do you like about it?    I may have been programmed since birth with the initials EGG! Eggs symbolize potential to me and also, of course, new life. An egg is like an unwrapped gift.  It could contain a life that will endure epic migration or it could simply be food. Eggs are fragile but also quite durable. I love the shape of eggs and the colors, patterns and textures. Certain tinamou eggs are so beautiful they almost defy belief. They look like glazed porcelain in shades of green, blue and a brownish purple.


Something I read about icon painting led me to exploring egg tempera as a painting medium and I was hooked from the beginning. It suits my love of detail perfectly. There is a ceremonial aspect to the process of separating the yolk from the white then mixing the yolk with dry pigments and water to make my paint. I also love how little the process and materials have changed since medieval times. 

Tell me about working in silverpoint , how you became interested in it and why you like.   Silverpoint and egg tempera go hand in hand with many artists. Both mediums require patience, precision and slow building of values by layering and both date back to medieval times. (For those who may not know, silverpoint is drawing on a slightly rough surface with a thin silver wire held in a stylus like a pencil.)

Image 4

The two things I like best about silverpoint are the reflective shine of the silver when the drawing is turned toward the light and the way the drawing tarnishes over time. Tarnishing depends on the environment and is unpredictable but eventually the drawing takes on a warm patina which is a lovely enhancement. I do silverpoint and egg tempera on panels with a traditional gesso ground (rabbitskin glue and marble dust) but have written a how-to book titled Silver Linings for beginners using paper which the more common ground. 

Silverpoint requires a certain amount of ‘tooth’ to remove silver from the tip of the stylus. Because traditional grounds commonly use calcium in varying forms it occurred to me that a clamshell might be a natural palette for silverpoint. Much to my surprise it is perfect although the concave shape can be challenging.


What pets do you have?  Parrots are my only pets these days. They are a lifetime commitment but offer a lot in terms of interaction. I kind of miss having cats and a dog but birds touch my heart in a unique way.

What are some of the wild animals you have seen from your studio window? 

Image 1

Image 2

Bluebird, fox and bear photos taken by Banjie 

Upcoming exhibition:

Egg Tempera & Drawing
featuring Banjie Nicholas, Diane Savino, Carol O’Neill, and Leslie Anderson
March 6- May 3  ~  Reception Thursday March 6  ~  5:30-8:00 pm
Westfield State University Downtown Art Gallery
105 Elm Street, Westfield, Massachusettes


Banjie’s website: 

Banjie’s book:  Silver Linings

banjies bookIf you would like to subscribe to LIGHT SEEKING EYES, please enter your email address in the subscribe box at the bottom of this page. Thank you!



  1. ellen

    Dear Banjie,,I’ve long been an admirer of your work- of your impeccable sense of value,and the delicacy of your drawings. That portrait of a hawk (sharp shinned or Coopers?) is superb!
    But I also admire the way your feelings ( and actions) of protecting and nurturing birds can be seen in everything you create.
    All the little birds have been safely posited out of harm in their separate shells. It’s as if you have drawn them into an existence where they will always be admired and never threatened, similar perhaps, to what you would do (if you could) in your life.
    Very beautiful work!

  2. Frannie Aeschliman

    Banjie’s display of heart with nature is so beautifully executed. Banjie
    and her birds are truly God’s creatures … what a joy to know both !!
    Your greatly admiring friend, Frannie

  3. Beautiful work, I am so glad to learn of this artist… Seeing the paintings make me want to run to my studio and work, too! Very inspiring

  4. Banjie, I’m convinced that even if I wasn’t your sister I’d still be delighted, fascinated, and uplifted by both your work and the story behind it. That I’ve had the pleasure of watching you as your story unfolds in that magical Banjie way just adds to the joy- and makes me feel so proud of you. And Irene, I love the questions, the format for seeing the work and the text, and I just love your blog and your work. Thanks to both of you.

  5. Banjie’s art has been added to the list of art I must see, in person! The mussel shell art is my favorite. Such exquisite work. Bravo, Irene!

  6. I’m happy seeing the comments about Banjie’s work. We’ve been friends for a long time, and this blog barely touches on how passionate she is about birds. She feeds them fresh mealworms even when there is a blizzard outside, and when I lived back east I would often see Banjie out and about with a little basket (always beautifully adorned with tiny flowers) and inside would be a tiny hummingbird she was rehabilitating. She almost always had a bird with her – they require regular feedings so if Banjie had to go out, she would gently pack them up and take them with her. One of my favorites was Lovey, a cedar waxwing that she took care of. This bird had an elegant spot in Banjie’s bedroom surrounded by delicate lace curtains !

    • Banjie

      These comments are really gratifying and inspiring. Thanks to all who replied and to you, Irene, for making me see myself in a different light.

  7. Jamee Hardwicke

    I met Banjie when my daughter lived in Connecticut. This is the first time that I have seen her work. It is so lovely. Each piece is like a work of love.

  8. Jenny Getsinger

    Banjie, your life and work are so inspiring! After trying to learn to draw the shadows around eggs in introductory drawing class today, I have even greater admiration for your depictions of eggs in nests. Keep up the good work, Jenny

  9. David W Blinn

    Beautiful work, thank you

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